As usual, it's been a while since the last Now Playing post. And as usual, there is SO MUCH MUSIC to let you know about. I didn't even bother counting up just how many new releases we've added in the last few months, but you can have a look-see at every last one of them below. The album titles are links to buy, and the AccuJazz channels on which you're most likely to hear them are listed below. Most all new adds are also playing on the Main Channel and New Releases. Why don't you fire one of those up to listen while you peruse?
Willie Nelson and Wynton Marsalis - Here We Go Again (Blue Note)
Straight Ahead, Vocals, Live Jazz, Trumpet, Pop Composers, Blue Note
Gretchen Parlato - The Lost and Found (Obliqsound)
Vocals, New School, Emerging Voices, New York
Chick Corea, Stanley Clarke and Lenny White - Forever (Concord)
Piano, New School, Modern Mainstream, Live Jazz, Fusion
Pat Metheny - What's It All About (Nonesuch)
Guitar, New School, Pop Composers
Eric Alexander - Don't Follow the Crowd (HighNote)
Saxophone, Modern Mainstream, New York
Ambrose Akinmusire - When the Heart Emerges Glistening (Blue Note)
New School, Cutting Edge, Emerging Voices, New York, Modern West Coast, Trumpet, Blue Note
Monty Alexander - Uplift (Jazz Legacy Productions)
Straight Ahead, Piano, Modern Mainstream, Live Jazz
Ben Allison - Action-Refraction (Palmetto)
New School, Cutting Edge, New York, Fusion, Pop Composers
Karrin Allyson - 'Round Midnight (Concord)
Vocals, Women of Jazz
Terrell Stafford - This Side of Strayhorn (Max Jazz Records)
Straight Ahead, Modern Mainstream, New York, Trumpet, Composers: Ellington
Freddie Hubbard - Pinnacle: Live and Unreleased From the Keystone Korner (Resonance)
New School, Live Jazz, Trumpet, 80s
Ben Williams - State of Art (Concord)
New School, Modern Mainstream, Emerging Voices, New York, Bassists, Groove Jazz
Gerald Wilson - Legacy (Mack Avenue)
Big Band
Yellowjackets - Timeline (Mack Avenue)
Saxophone, New School, Modern Mainstream, Fusion
Fred Hersch - Alone at the Vanguard (Palmetto)
Piano
Joshua Redman, Aaron Parks, Matt Penman and Eric Harland - James Farm (Nonesuch)
Saxophone, New School, Cutting Edge, Modern Mainstream, New York
Captain Black Big Band - Captain Black Big Band (Positone)
Straight Ahead, Modern Mainstream, Live Jazz, Big Band
Charlie Haden Quartet West - Sophisticated Ladies (Emarcy)
Saxophone, Vocals, Mellow
Branford Marsalis and Joey Calderazzo - Songs of Mirth and Melancholy (Marsalis Music)
Piano, Saxophone, New School, Modern Mainstream, Mellow Jazz, Third Stream
Stefon Harris, David Sanchez and Christian Scott - Ninety Miles (Concord Picante)
Saxophone, Trumpet, Good Vibes, Latin, New School, Modern Mainstream, Emerging Voices
Vinicius Cantuária & Bill Frisell - Lagrimas Mexicanas (Ent. One Music)
Guitar, Vocals, Latin, Brazilian Jazz
Kenny Werner - Balloons (Half Note)
New School, Modern Mainstream, Live Jazz, New York
Gary Burton - Common Ground (Mack Avenue)
New School, Modern Mainstream, Good Vibes
Eliane Elias - Light My Fire (Concord Picante)
Vocals, Latin, Brazilian Jazz, Women of Jazz
Brian Lynch - Unsung Heroes (Hollistic MusicWorks)
Straight Ahead, Modern Mainstream, Trumpet
Sachal Vasandani - Hi-Fly (Mack Avenue)
Vocals, Emerging Voices
Benny Green - Source (Jazz Legacy Productions)
Straight Ahead, Piano
Randy Brecker With the DR Big Band - The Jazz Ballad Song Book (Halfnote Records)
Modern Mainstream, Big Band, Trumpet
Klang - Other Doors (Allos Documents)
New School, Chicago, Avant-Garde, Good Vibes
BANN - As You Like (Jazz Eyes)
New School, Modern Mainstream
Etienne Charles - Kaiso (Culture Shock Music)
New School, Modern Mainstream, Emerging Voices, New York, Trumpet
Noah Haidu - Slipstream (Positone)
Piano, New School, Modern Mainstream, Emerging Voices, New York
Sean Jones - No Need for Words (Mack Avenue)
New School, Modern Mainstream, New York, Trumpet
Larry Gray Trio - Three Equals One (Chicago Sessions)
Guitar, Modern Mainstream, Chicago, Bass
Tom Harrell - The Time of the Sun (HighNote)
New School, Modern Mainstream, New York, Trumpet
Hiromi - Voice (Telarc)
Piano, New School, Modern Mainstream, Emerging Voices, Fusion, Women of Jazz
Marika Hughes - Afterlife Music Radio (DD Records)
New School, Cutting Edge, New York, Women of Jazz
Jambalaya Brass Band - It's a Jungle Out There (890 West Music)
New School, New York, Groove Jazz
Dave Juarez - Round Red Light (Positone)
Guitar, New School, Modern Mainstream, Emerging Voices, New York
Darren Lyons - Evil Genius (Self-Released)
Fusion
Mike Reed's My Silence - It Only Happens at Night (482 Music)
Cutting Edge, Chicago, Avant-Garde, AACM
Andrew McCormack and Jason Yarde - My Duo (Joy and Ears)
Saxophone, New School, Modern Mainstream, Europe
Jessica Pavone - Army of Strangers (Porter)
New School, Cutting Edge, Emerging Voices
Alex Skolnick Trio - Veritas (Palmetto)
Guitar, New School, Fusion, Groove Jazz
Slumgum - Quardboard Flavored Fiber (Accretions)
New School, Cutting Edge, Modern West Coast
Odean Pope - Universal Sounds (Porter)
Avant-Garde
Sonic Liberation Front - Sonic Liberation Front Meets Sunny Murray (High Two)
New School, Avant-Garde
Don Stiernberg - Swing 220 (Blue Night Records)
Guitar, Old School
Larry Goldings - In My Room (BFM Jazz)
Piano, Modern Mainstream, Mellow
Roseanna Vitro - The Music of Randy Newman (Motema)
Vocals, Pop Composers, Women of Jazz
Judy Wexler - Under a Painted Sky (Jazzed Media)
Vocals, Women of Jazz
Bryan Carter - Enchantment (Imaginate Records)
New School, Modern Mainstream, Emerging Voices, New York, Chicago, Drummers
Jane Bunnett and Hilario Duran - Cuban Rhapsody (Alma Records)
Piano, Saxophone, Latin, Modern Mainstream, Women of Jazz
Gerald Clayton - Bond: The Paris Sessions (Emarcy)
Piano, New School, Modern Mainstream, Emerging Voices, New York, Modern West Coast
Les Doigts de L'Homme - 1910 (Alma Records)
Guitar, Old School
Blue Cranes - Observatories (Meester Records)
New School, Cutting Edge, Emerging Voices, Modern West Coast
Diane Schuur - The Gathering (Vanguard Records)
Vocals, Pop Composers
Dr. Michael White - Adventures in New Orleans Jazz: Part 1 (Basin Street)
New Orleans
Marquis Hill - New Gospel (Self-Released)
New School, Modern Mainstream, Emerging Voices, Chicago, Trumpet
Steve Khan - Parting Shot (Tone Center)
Guitar, Latin, New School, Modern Mainstream, Drummers, Fusion, Groove Jazz
Jared Gold - All Wrapped Up (Posi-Tone)
Straight Ahead, Modern Mainstream, New York, Organ, Groove Jazz
Tiempo Libre - My Secret Radio (Sony)
Latin
Ernest Dawkins - The Prairie Prophet (Delmark)
New School, Chicago
Taylor Ho Bynum, Joe Morris and Sara Schoenbeck - Next (Porter)
Avant-Garde
Club D'Elf - Electric Moroccoland (Face Pelt Records)
World Fusion, Fusion, Groove Jazz
Tara Davidson - View (Self-Released)
Saxophone, New School, Cutting Edge, Modern Mainstream, Emerging Voices, Women of Jazz
Benjamin Drazen - Inner Flights (Positone)
Saxophone, New School, Modern Mainstream, New York
Alex Pinto - Inner State (Pursuance Records)
Guitar, New School, Cutting Edge, Emerging Voices, Modern West Coast
John Vanore and Abstract Truth - Contagious Words (Acoustical Concepts)
Modern Mainstream, Big Band, Trumpet
Blue Cranes - Cantus Firmus (Self-Released)
Cutting Edge, Modern West Coast, Pop Composers
Seabrook Power Plant - Seabrook Power Plant II (Loyal Label)
Cutting Edge, Emerging Voices, New York, Avant-Garde
T.K. Blue - Latinbird (Motema)
Latin, Modern Mainstream, New York, Composers: Bird and Diz
Come Sunday - Crosscurrents (Self-Released)
Chicago, Vocals, Spiritual
Luis Conte - En Casa De Luis (BFM Jazz)
Latin, Modern Mainstream, World Fusion
Carlo de Rosa's Cross Fade - Brain Dance (Cuneiform)
New School, Cutting Edge, New York, Bassists
Larry Coryell - Larry Coryell With the Wide Hive Players (Wide Hive)
Guitar, New School, Modern Mainstream, Modern West Coast, Fusion, Groove Jazz
Matt Haimovitz and Uccello - Meeting of the Spirits (Oxingale Records)
New School, Third Stream
Khan Jamal - Cool (Porter)
Avant-Garde, Good Vibes
Irvin Mayfield - A Love Letter to New Orleans (Basin Street)
New Orleans, Trumpet, Groove Jazz
Michael J. Miles - Col-lage (Right Turn on Red Music)
New School, Third Stream
Darius Jones and Matthew Shipp - Cosmic Lieder (AUM Fidelity)
New School, New York, Avant-Garde
Dado Moroni - Live in Beverly Hills (Resonance)
Piano, Modern Mainstream, Live Jazz, Europe
Jason Parker Quartet - Five Leaves Left: A Tribute to Nick Drake (Broken Time Records)
Vocals, New School, Modern Mainstream, Modern West Coast, Trumpet, Pop Composers
Profound Sound Trio - Opus De Life (Porter)
Avant-Garde
Rebirth Brass Band - Rebirth of New Orleans (Basin Street)
New School, New Orleans, Groove Jazz
The Nightcrawlers - Down In the Bottom (Cellar Live)
Straight Ahead, Big Band, Organ, Groove Jazz
Matthew Shipp - Art of the Improviser (Thirsty Ear)
New School, New York, Avant-Garde
Sinistrio - Ride the Dragon (Chronograph)
New School, Modern Mainstream, Emerging Voices, Organ, Groove Jazz
Nate Wooley, Fred Lonberg-Holm and Jason Roebke - Throw Down Your Hammer and Sing (Porter)
Avant-Garde
Renee Yoxon and Rene Gely - Let's Call It a Day (Self-Released)
Vocals, Emerging Voices, Women of Jazz
Weasel Walter, Mary Halvorson and Peter Evans - Electric Fruit (Thirsty Ear)
Emerging Voices, Avant-Garde
Ralph Bowen - Power Play (Positone)
Saxophone, New School, Modern Mainstream, New York
Colorlist - The Fastest Way to Become the Ocean (Serein)
Cutting Edge, Emerging Voices, Chicago
Led Bib - Bring Your Own (Cuneiform)
New School, Cutting Edge, Emerging Voices, Europe, Fusion
Louie Belogenis Trio - Tiresias (Porter)
Avant-Garde
Older Releases Just Added:
Air - Live (1977) (Black Saint)
Chicago, Avant-Garde, AACM
Kurt Rosenwinkel - Our Secret World (2010) (Word of Mouth Music)
Guitar, New School, Modern Mainstream, Big Band
David Sanchez - Cultural Survival (2008) (Concord)
Saxophone, Latin, New School, Modern Mainstream
Joe Lovano, Dave Liebman and Ravi Coltrane - Saxophone Summit: Seraphic Light (2008) (Telarc)
Saxophone, New School, Modern Mainstream, Spiritual
Bill Carrothers Trio - Joy Spring (2010) (Pirouet)
Straight Ahead, Piano, Modern Mainstream
Friday, July 29, 2011
Wednesday, July 27, 2011
R.I.P. Frank Foster
Frank Foster, a veteran saxophonist, composer, arranger and bandleader, died in his sleep Tuesday morning. He will primarily be remembered as a pillar of the Count Basie band during its celebrated "New Testament" period from 1953 to 1964, but Foster maintained a busy schedule of recording and touring as both a leader and sideman throughout his life. Besides his work with Basie, Foster worked with a who's who of jazz legends including Thelonious Monk, Elvin Jones, Ella Fitzgerald, Milt Jackson and Sarah Vaughan.
Foster's great contributions to the Count Basie Orchestra in the '50s and '60s led to his taking over as the band's leader after Basie's death two decades later. Foster also led his own ensemble called the Loud Minority Big Band which was something of a labor of love throughout his career. On his motivation for starting a big band, Foster said, "I have to make a statement with a big band, or there ain't going to be no statement."
A handful Foster's compositions, notably "Shiny Stockings," "Simone," and "Blues in Hoss Flat," have become well-loved and oft-played jazz standards, especially among high school and college big bands.
News of Foster's death comes a year after some good news for the Foster family: after nearly 5 decades of missing out on collecting royalties for "Shiny Stockings," his most famous composition, he won back the rights to the song. Now, Frank Foster's family will continue to benefit from his legacy by collecting royalties after his death.
The jazz press and blogosphere has already produced a number of worthy obits and tributes to Foster. Click on the links below:
-The New York Times
-NPR's A Blog Supreme
-Some great YouTube selections from Jim Macnie
-A personal remembrance from Doug Ramsey
Foster's great contributions to the Count Basie Orchestra in the '50s and '60s led to his taking over as the band's leader after Basie's death two decades later. Foster also led his own ensemble called the Loud Minority Big Band which was something of a labor of love throughout his career. On his motivation for starting a big band, Foster said, "I have to make a statement with a big band, or there ain't going to be no statement."
A handful Foster's compositions, notably "Shiny Stockings," "Simone," and "Blues in Hoss Flat," have become well-loved and oft-played jazz standards, especially among high school and college big bands.
News of Foster's death comes a year after some good news for the Foster family: after nearly 5 decades of missing out on collecting royalties for "Shiny Stockings," his most famous composition, he won back the rights to the song. Now, Frank Foster's family will continue to benefit from his legacy by collecting royalties after his death.
The jazz press and blogosphere has already produced a number of worthy obits and tributes to Foster. Click on the links below:
-The New York Times
-NPR's A Blog Supreme
-Some great YouTube selections from Jim Macnie
-A personal remembrance from Doug Ramsey
Monday, July 11, 2011
New Channels Round-Up
If you haven't been to AccuJazz.com in a while, you'll notice a handful of recently-added channels now being offered for your listening pleasure. In the past month or so, we've added five channels to the already possibly overwhelming array of AccuJazz listening options. But, somehow, not one of the channels was commemorated in a blog post. It's due time to put an end to this negligence and give a little coverage to our deserving new channels.
AACM
The AACM is the Association for the Advancement of Creative Musicians, and if you don't know what that is, there's an award-winning, 690-page book that can fill you in. If you don't have the time for that, however, let me give you the short version: in 1965 a group of experimentally-inclined, Chicago-based jazz musicians founded the organization to promote and present their distinctly un-commercial music to the Chicago and the world. Founders and early members included such avant-garde jazz legends as Muhal Richard Abrams, Henry Threadgill, Anthony Braxton, Jack DeJohnette, Wadada Leo Smith and the Art Ensemble of Chicago (pictured).
Over the decades, the influence of the AACM has grown far beyond what the founders likely imagined and dozens more musicians have been admitted as official members. Our channel is playing hundreds of tracks by AACM-affiliated musicians, ranging from classic Art Ensemble recordings to brand new music by AACM Vice Chairperson Mike Reed. If your ears are in need of a trip away from the ordinary, hop on this channel.
Montreal Jazz Festival 2011
MJF 2011 is the newest member of our festival channel category, and the one that probably should have been created first; MJF is the world's biggest jazz festival. It attracts millions (yup, you read that right) of fans every summer to see concerts by the biggest names in jazz as well as plenty of rock, pop and R&B acts. With so many artists performing at the fest, it wasn't hard for me to hand-pick a pretty great mix of music for the channel, from cutting-edge young musicians like Darcy James Argue to Gen-X stars like Brian Blade to all-time legends like Dave Brubeck.
Unfortunately, the fest already happened, so you're out of luck if the great mix on our channel triggers an impulse to hop on a plane to Montreal for this year's fest. But you'll be able to keep listening to the channel, which is almost as good... right?
World Fusion
Mixing jazz with music from around the world is nothing new, but in the last few decades, there has been an increasingly greater output of music that references different "world" music and jazz at the same time. Foreign elements in the music might be as small as adding an unusual ethnic instrument like an Oud to an otherwise conventional improv setting or as considerable as basing the whole piece on ancient Indian beat cycles.
I found a great deal of music in the AccuJazz collection that fit squarely into the "world fusion" category: not mainstream jazz, not jazz-rock fusion, but definitely jazz of some sort. You'll hear examples of this beautifully unique music by artists like Vijay Iyer, Fareed Haque, Miguel Zenon and many others.
Spiritual Jazz
It's no mystery that many great musicians, in jazz and virtually every other style, grew up playing in church (including yours truly). For a lot of those musicians, their music never quite left the church. There's a long tradition of jazz musicians re-interpreting hymns and spirituals like "Just a Closer Walk With Thee," "Amazing Grace," and "Wade in the Water." Our channel features great versions of this timeless music from musicians like Charles Lloyd, Cyrus Chestnut, John Scofield and Hank Jones. But there are also some original, faith-centric, compositions by musicians like Terence Blanchard, Brian Blade and Deanna Witkowski.
A few minutes with this channel and you will be convinced that jazz is most definitely not the devil's music. Rev. Ronald V. Myers even found a Bible verse that establishes a precedent for Christian jazz: Amos 6:5.
Composers: Wayne Shorter
I get requests for new artist-based channels pretty often, but it's a rare musician who has composed enough timeless music that the legions of cover versions, in addition the the originals, can make up an entire listenable channel. Wayne Shorter, in addition to the other five jazz composers already honored with their own channels, is one such musician. Generally regarded as jazz music's greatest living composer, Shorter has been producing his distinctive brand of post-bop jazz for five decades. He is still making exciting, urgent new music with his excellent quartet, proving an exception to the rule that septuagenarian jazz masters often become little more than pale imitations of their younger selves.
The channel features over 60 different artists digging in to Shorter's material, including plenty of recordings under Wayne's own name. He is also heard as a sideman with groups like Art Blakey's Jazz Messengers, the Miles Davis Quintet and Weather Report. Listeners will hear plenty of takes on "Footprints," Wayne's most oft-covered tune, but keep listening for lesser-played but equally-genius compositions like "Black Nile," "Night Dreamer," "Juju," and "Fall" (one that shows up surprisingly often).
AACM
The AACM is the Association for the Advancement of Creative Musicians, and if you don't know what that is, there's an award-winning, 690-page book that can fill you in. If you don't have the time for that, however, let me give you the short version: in 1965 a group of experimentally-inclined, Chicago-based jazz musicians founded the organization to promote and present their distinctly un-commercial music to the Chicago and the world. Founders and early members included such avant-garde jazz legends as Muhal Richard Abrams, Henry Threadgill, Anthony Braxton, Jack DeJohnette, Wadada Leo Smith and the Art Ensemble of Chicago (pictured).
Over the decades, the influence of the AACM has grown far beyond what the founders likely imagined and dozens more musicians have been admitted as official members. Our channel is playing hundreds of tracks by AACM-affiliated musicians, ranging from classic Art Ensemble recordings to brand new music by AACM Vice Chairperson Mike Reed. If your ears are in need of a trip away from the ordinary, hop on this channel.
Montreal Jazz Festival 2011
MJF 2011 is the newest member of our festival channel category, and the one that probably should have been created first; MJF is the world's biggest jazz festival. It attracts millions (yup, you read that right) of fans every summer to see concerts by the biggest names in jazz as well as plenty of rock, pop and R&B acts. With so many artists performing at the fest, it wasn't hard for me to hand-pick a pretty great mix of music for the channel, from cutting-edge young musicians like Darcy James Argue to Gen-X stars like Brian Blade to all-time legends like Dave Brubeck.
Unfortunately, the fest already happened, so you're out of luck if the great mix on our channel triggers an impulse to hop on a plane to Montreal for this year's fest. But you'll be able to keep listening to the channel, which is almost as good... right?
World Fusion
Mixing jazz with music from around the world is nothing new, but in the last few decades, there has been an increasingly greater output of music that references different "world" music and jazz at the same time. Foreign elements in the music might be as small as adding an unusual ethnic instrument like an Oud to an otherwise conventional improv setting or as considerable as basing the whole piece on ancient Indian beat cycles.
I found a great deal of music in the AccuJazz collection that fit squarely into the "world fusion" category: not mainstream jazz, not jazz-rock fusion, but definitely jazz of some sort. You'll hear examples of this beautifully unique music by artists like Vijay Iyer, Fareed Haque, Miguel Zenon and many others.
Spiritual Jazz
It's no mystery that many great musicians, in jazz and virtually every other style, grew up playing in church (including yours truly). For a lot of those musicians, their music never quite left the church. There's a long tradition of jazz musicians re-interpreting hymns and spirituals like "Just a Closer Walk With Thee," "Amazing Grace," and "Wade in the Water." Our channel features great versions of this timeless music from musicians like Charles Lloyd, Cyrus Chestnut, John Scofield and Hank Jones. But there are also some original, faith-centric, compositions by musicians like Terence Blanchard, Brian Blade and Deanna Witkowski.
A few minutes with this channel and you will be convinced that jazz is most definitely not the devil's music. Rev. Ronald V. Myers even found a Bible verse that establishes a precedent for Christian jazz: Amos 6:5.
Composers: Wayne Shorter
I get requests for new artist-based channels pretty often, but it's a rare musician who has composed enough timeless music that the legions of cover versions, in addition the the originals, can make up an entire listenable channel. Wayne Shorter, in addition to the other five jazz composers already honored with their own channels, is one such musician. Generally regarded as jazz music's greatest living composer, Shorter has been producing his distinctive brand of post-bop jazz for five decades. He is still making exciting, urgent new music with his excellent quartet, proving an exception to the rule that septuagenarian jazz masters often become little more than pale imitations of their younger selves.
The channel features over 60 different artists digging in to Shorter's material, including plenty of recordings under Wayne's own name. He is also heard as a sideman with groups like Art Blakey's Jazz Messengers, the Miles Davis Quintet and Weather Report. Listeners will hear plenty of takes on "Footprints," Wayne's most oft-covered tune, but keep listening for lesser-played but equally-genius compositions like "Black Nile," "Night Dreamer," "Juju," and "Fall" (one that shows up surprisingly often).
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